
After several weeks of songs from the Grammy Awards Jim has moved across the pond for the next few Song Lyric Sunday themes, beginning today with his invitation to play a song that won the Brit Award for British Song of the Year, as you can see from his post An Annual Celebration. You might think that as I am a Brit this would be easy for me, but it isn’t: the Brits have been going for nearly fifty years but are largely the province of pop music. In short, they are usually a heap of unadulterated shite. But there are a few pearls to be found amongst the swine, and I’m playing you two absolute beauties that have risen above the dross. I have no doubt that either or both of these will be played by others taking part in SLS, such is the paucity of the field, but I’ll go with these all the same. That would just confirm my choices, anyway!
My first choice is by a guy who has had huge success here in the last six years. I played several of his songs for SLS last December, but not this one, his breakthrough hit:
And the lyrics:
Lewis Capaldi won the 2020 award for Someone You Loved, which for me is one of the more well-deserved winners. He has since been nominated on another two occasions, losing out to Harry Styles and Raye: two injustices, to my ears! This song was included on his debut album, Divinely Uninspired to a Hellish Extent, which was released in May 2019, getting to #1 in the UK, #5 in Canada and #20 in the UK. It has sold more than 10m copies worldwide, more than 1.5m of those in the UK where it has gone 5x Platinum. It had previously been released twice in 2018, as a single and on the EP Breach. The single came out in November 2018 and took off in a huge way, making #1 in the UK, the US (taking 28 weeks to get there!), Canada, Ireland and elsewhere, as well as high chart positions in many other countries. Despite being released fairly late in the year it was the best seller in the UK in 2019, making it a shoo-in for that Brit Award. Its sales figures are incredible: 10m (Diamond) in the US, 5.4m (9x Platinum) in the UK, and huge numbers just about everywhere else. For once, I think the Brits got it right.
As they did for me in 1992, when this was the winner:
These Are the Days of Our Lives was released as a single in the US on Freddie Mercury’s 45th birthday, 5 September 1991, and as double A-side single in Ireland and the UK on 9 December, a fortnight after Freddie’s passing, along with Bohemian Rhapsody. The double A-side debuted at number one on the UK Singles Chart and remained there for five weeks, and topped the Irish Singles Chart for six weeks.
The video was recorded on 30 May 1991, apart from Brian May’s piece, which was added in later as he was out of the country at the time. There was a need for some urgency as Freddie’s health was declining, and it was shot in monochrome to hide that from his fans. That final “I love you” was his departing message for them: a showman to the last, as he knew he wouldn’t be around for another.
The single sold more than 600k copies in the UK and was an obvious selection for the 1992 Brit Award, though looking at the ones it beat it isn’t hard to see why it won: two joke songs, a bit of electronica, a heavy metal track and a show tune. The track was also on Queen’s album Innuendo, which was released in February 1991 and made #1 in the UK and in several other European countries, though it only got to #30 in the US. Sales figures show that it still did well there, though, as it shifted more than 500k copies, compared with 300k in the UK.
That’s me done for today. Two really beautiful songs that thoroughly deserved to win their awards, amidst a sea of mediocrity. And we have more Brit Awards to look forward to next week, though happily for an award which gives me a great many more from which I can choose. See you then, but first we have Tuesday Tunes and the start of Advent to come 😊