The task for us to today on Song Lyric Sunday is to play a song by an Australian artist. For the full details, check out Jim’s post, Down Under. As Jim says, there are a huge number of candidates for this, and he mentions many of them, including the ones I’m playing. I was faced with a difficult choice for this as there have been many great Australian songs that have been successful over here and in the wider world: The Easybeats, The Bee Gees, The Seekers, Kylie, ONJ, INXS, the list just goes on, though I didn’t even begin to think of playing anything by the disgraced one. In the end I got it down to a shortlist of two bands and – much though I love AC/DC – I decided to go with the other one. Here is today’s tune:
And here are its lyrics:
Out where the river broke
The bloodwood and the desert oak
Holden wrecks and boiling diesels
Steam in forty five degrees
The time has come
To say fair’s fair
To pay the rent
To pay our share
The time has come
A fact’s a fact
It belongs to them
Let’s give it back
How can we dance when our earth is turning
How do we sleep while our beds are burning
How can we dance when our earth is turning
How do we sleep while our beds are burning
The time has come to say fair’s fair
to pay the rent, now to pay our share
Four wheels scare the cockatoos
From Kintore East to Yuendemu
The western desert lives and breathes
In forty five degrees
The time has come
To say fair’s fair
To pay the rent
To pay our share
The time has come
A fact’s a fact
It belongs to them
Let’s give it back
How can we dance when our earth is turning
How do we sleep while our beds are burning
How can we dance when our earth is turning
How do we sleep while our beds are burning
The time has come to say fair’s fair
To pay the rent, now to pay our share
The time has come, a fact’s a fact
It belongs to them, we’re gonna give it back
How can we dance when our earth is turning
How do we sleep while our beds are burning
Writers: GARRETT, PETER / HIRST, ROBERT / MOGINIE, JAMES
Copyright: Lyrics © Sony/ATV Music Publishing LLC
Midnight Oil were formed in 1972, and originally went by the name of The Farm, which they changed in 1976. They comprise Peter Garrett on vocals and harmonica, Rob Hirst on drums, Jim Moginie on guitar and keyboard, and Martin Rotsey on guitar. Their longstanding bass player, Bones Hillman, died in 2020. This was a track on their sixth album, Diesel And Dust, which was released in August 1987 and was the one that gave them their big breakthrough outside Australia. It was their second #1 album in their homeland, and also topped the charts in Canada and New Zealand. In the UK it peaked at #19 and in the US at #21. This was the second single from the album: it was released to coincide with the album’s launch and reached #1 in Canada, New Zealand and South Africa, and #6 in Australia. It wasn’t issued as a single in the UK and US until the following year, when it made #17 in the US and #48 in the UK. On re-release in 1989 we eventually did it justice here in the UK, though, taking it to #6.
As you have probably noticed, there is an important message lurking underneath that catchy chorus. The band always had a strong political and social conscience which was reflected in many of their songs. This was particularly true of Peter Garrett, who put the band on hiatus in 2002 when he took up a political career: between 2007 and 2013 this saw him elected as a Member of Parliament and appointed to two Ministerial roles, firstly in charge of Environment, Heritage and the Arts, and then of School Education, Early Childhood, and Youth. He left politics in 2013 after becoming disillusioned with the way the government was going, and went back to music. He released a solo album in 2016 and then got back with the band: they released two further albums, in 2020 and 2022, the second of which was a posthumous release for Hillman, who played on the recordings before he passed.
This song is about ‘Reconciliation,’ ie the act of returning Australian lands to their original owners, which you can read about here. The band toured through the Outback in 1986, playing to remote Aboriginal communities and seeing first hand the seriousness of their health and living conditions. Garrett, Moginie and Hirst wrote the song to criticise how these populations were often forcibly removed from their lands. The band played it at the closing ceremony of the 2000 Olympics, with the word SORRY conspicuously printed on their clothes, as a form of apology to indigenous people for their suffering under white settlement and to highlight the issue to John Howard, the Prime Minister, who was in the audience at the Olympic Stadium: an estimated one billion people watched on television.
It’s not often that I play a song with such a strong political message, but this just seemed right for today’s prompt instead of all of the more pop-based songs I could have chosen. I love this band and everything they stand for, and their albums often accompanied me during the days when I had a long commute around London’s North Circular Road. I would imagine that there are some fellow drivers who are still traumatised at the sight of me singing along at the top of my voice but, to borrow Midnight Oil’s word, all I can say to them is ‘SORRY!’
See you again soon 😊🎶🤘

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Great song choice and one I have heard before..You are forgiven for not playing AC/DC this one is a worthy substitute 🙂 xx
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Thank you, Carol. I chose this one for its story as well as it being a great song. I should post more of theirs 😊 xx
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I agree they deserve more of an airing…xx
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Glad you picked this band, it was a catchy tune with an important message. A new band to me, but definitely better than AC/DC. LOL! Sorry, do not care for them. My husband likes them . Will have to ask if he heard of Midnight Oil.
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Those are the two reasons I chose it. I love both bands, and it’s a shame you don’t like AC/DC! I’d expect Brad to know Midnight Oil 😊
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Haha! Brad also tells me it’s a shame. I don’t like them. I tell him that I think I can handle the “shame” 😂😂
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You really should give them a try. There are some videos on YouTube from their Live At River Plate DVD, a massive audience which literally looks like a human sea in the aerial shots. It’s phenomenal! I have the DVD – if I knew where it was!
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I have tried. They hurt my ears. 😆
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They need to be played loud for maximum enjoyment. A little ear bleeding is just an occupational hazard 🤣
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I think I will pass! As tempting as it sounds. 😂😂😂 You can bleed away! You probably couldn’t get Jill to post an AC/DC song. 🤣
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Now there’s a challenge! I’d love to see her play Whole Lotta Rosie, complete with the giant inflatable Rosie flying above the stage 🤣
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Oh gosh! Good luck! LOL! If she plays it I will listen, but I think I am safe! 😂
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I think you’re safe too. A pity, though. If only Sammy Davis Jr had covered Whole Lotta Rosie…
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Then it would have probably been a lot better. 😄
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Oh no it wouldn’t!
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Haha!
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This may be the only song I remember from Midnight Oil. I feel like a big dufus. I’ve listened to and enjoyed AC/DC for years, and I didn’t know they were Australian.
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They had plenty of others worth hearing, Pete. Stop beating yourself up over AC/DC: the two Young brothers were born here but emigrated as kids back in the days when Australia allowed UK immigrants to pay £10 to relocate there. Known as the Ten Pound Poms, so they are sort of British too. Their brother George was a founder member of The Easybeats.
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You are an encyclopedia of music knowledge.😊
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I just read a lot!
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I always liked this song and their sound but didn’t know much about them. Thanks for the informative write up about them. 🙂
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I’m glad it helped. I like sharing the background to a story – I think it makes more of it that way.
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Always liked the song, bought it in ’88 when it came out. It reminds me of different places and people, and it was such an intriguing and intoxicating chorus. If you’re only going to have one big hit, it may as well mean something worthwhile.
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Likewise. I bought the album, which had a lot of good stuff on it. I think they made their mark!
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Not heard of them before. I like it that you introduce me to so many new bands, lol.
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I enjoy doing it, though it isn’t always easy to predict which ones you won’t know 😊
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If you don’t pay attention to injustice, it will continue to spread. I am not a big fan of political messages in songs, but when a band has a big repertoire of music, I think it is perfectly OK for them to slip in a political message in a few of their songs. Nice choice Clive.
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Thank you, Jim, and for a good prompt. I think it depends to an extent on the message and how much we agree with it, plus the way in which it is conveyed. A protest against injustice, like this one, is fine by me too, especially with such a catchy tune.
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not familiar with this band.
but it’s a catchy tune, but with an important message. I like when musicians use their platform to try and make the world a better palce. Kudos to Peter for trying to make a difference by running for office. Too bad it didn’t work out like he hoped.
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Glad to have introduced you to them, Jim. I’m a big fan of theirs. I’ve played them before – not sure when, but I got a link to them when I was picking the tags for this piece. If I look I’ll probably find it was this song!
Peter did his best in important posts, but was loyal to Julia Gillard and resigned when she was ousted as Labour Party leader and PM. An honourable man.
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I was just listening to a podcast yesterday that featured a bit about Julia Gillard. She seemed like a good woman and PM…
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She was. Well respected here too. She probably got too good at it and was perceived as a threat to others, so they dumped her.
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the podcast I listened to played a clip from what was referred to as her “misogny speech”. She really got after Tony Abbott
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Tony Abbott deserved all he got!
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from what I heard on the podcast, yes he did…
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HI Clive, This song was my absolute favourite during my last year of high school. I loved the lyrics and the meaning as you said, ‘lurking’ behind them.
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Hi Robbie. I’m pleased you like this one too. It’s easy to sing along and overlook the lyrics but they are very important to so many people.
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Indeed, these lyrics were even more stand out back in the ’80s when I’d never heard of climate change or global warming but knew some things mankind was doing weren’t right.
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There’s an irony in that comment, Robbie: the lyrics can easily be interpreted that way but that’s not why they wrote the song. Just as valid a comment on climate change though 👍
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